Native North American Art Oxford History of Art 1st Edition Berlo and Phillips Pdf

Native North American Art

Second Edition

Janet Catherine Berlo and Ruth B. Phillips

New to this Edition:

• New features, including "Object in Focus," "Technique in Focus," and "Creative person in Focus" boxes, are in every chapter
• Updated and expanded coverage of contemporary Native American Art
• More 225 images, many new to this edition
• New glossary, timelines, and an updated bibliography

Native North American Art

Second Edition

Janet Catherine Berlo and Ruth B. Phillips

Description

This lively introductory survey of indigenous North American arts from ancient times to the present explores both the shared themes and imagery institute across the continent and the distinctive traditions of each region. Focusing on the richness of artwork created in the US and Canada, Native Due north American Art, Second Edition, discusses three,000 years of architecture, woods and rock carvings, basketry, trip the light fantastic toe masks, clothing and more. The expanded text discusses twentieth- and xx-first-century arts in all media including works by James Luna, Kent Monkman, Nadia Myre, Jaune Quick-to-See Smith, Volition Wilson, and many more. Authors Berlo and Phillips incorporate new research and scholarship, examining such issues as fine art and ethics, gender, representation, and the colonial encounter. By bringing into ane conversation the seemingly separate realms of the sacred and the secular, the political and the domestic, and the formalism and the commercial, Native Due north American Art shows how visual arts not only maintain the integrity of spiritual and social systems within Native North American societies, but have long been office of a cross-cultural experience too.

Previous publication dates

November 1998

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Native North American Fine art

2nd Edition

Janet Catherine Berlo and Ruth B. Phillips

Table of Contents

List of Abbreviations
Timeline
one. An Introduction to the Ethnic Arts of Northward America
Art history and Native Art: The Challenge of Inclusion
--Modes of Appreciation: Marvel, Specimen, Art
--OBJECT IN FOCUS: The National Museum of the American Indian
--Expanding Art History'southward Inclusivity, and Defining "Art"
Colonial Legacies
--Buying and Public Display
-Issue IN FOCUS: 'Who Owns Native Culture?
--Commodification and Authenticity
--Who Is an Indian? Clan, Customs, Political Construction, and Fine art
Spiritual Practices and the Making of Art
--The Map of the Cosmos
--The Nature of Spirit
--Dreams and the Vision Quest
--Shamanism
Social Practices and the Making of Fine art
--Public Celebration: Displaying and Transferring Ability and Potency
--The Power of Personal Adornment
--"Creativity Is Our Tradition": Innovations and Retention
--Gender and the Making of Art
--Creative person IN FOCUS: Kent Monkman--Repainting Art's Histories
ii. The Southwest
The Southwest as a Region
The Ancient World: Anasazi, Mimbres, Hohokam
--Ancestral Puebloan Architecture, Ritual and Worldview
--Bequeathed Puebloan Fiber Arts
--Ancestral Puebloan Pottery
--An Animated Universe: Mimbres Painted Bowls
--OBJECT IN FOCUS: Mimbres Pottery Designs--Trajectories and Transformations
--An Blithe Universe: Mimbres Painted Bowls
--Hohokam Art and Culture
--Paquimé: Crossroads of Cultures 1250 - 1450 C.E.
From Late Precontact to the Colonial Era to the Modern Pueblos
--Pecos Pueblo: An Intercultural Zone
--Pueblo Architectural Infinite and Ritual Performance
--Pueblo Pottery
--ARTISTS IN FOCUS: Maria and Julian Martinez
Navajo and Apache Arts
--Arts of Medicine and Functioning
--Navajo Weaving and the Powers of Transformation
--MATERIALS IN FOCUS: Wools for Navajo Weaving
--Apache and O'odham Baskets
--Navajo and Pueblo Jewelry
three. The East
The E equally a Region
--Precontact Art Traditions: Archaic, Woodland, and Mississippian Civilizations
--The Primitive Period
--The Woodland Menstruum
--Mississippian Fine art and Civilisation
The Southeast: The Calamity of Contact
--A Continuum of Basketry: Chitimacha Traditionalism and Beyond
--Reconfiguring Southeastern Arts: Seminole and Miccosukee Textiles
The Northeast and the Nifty Lakes
--The Early Contact Menstruum
--Arts of the "Centre Basis"
--Arts of Cocky-Beautification
--OBJECT IN FOCUS: The Assiginack Canoe
--Techniques in focus: Quillwork and Beadwork
--In the Bag: A Mini-History of Change Told Through Bags
--Artist IN FOCUS: Caroline Parker
--Gift Arts
4. The West
The West as a Region
--The Dandy Plains
--The Plateau, The Great Bowl, and California
Art of the Cracking Plains
--Women's Arts
--TECHNIQUE IN FOCUS: Tanning a Hide
--Men's Arts
--Arts of Survival and Renewal
--ARTIST IN FOCUS: Silver Horn: Chronicler of Kiowa Life
--An Aesthetic of Excess
--Métis Art: "The Flower Beadwork People"
The Intermontaine Region-An Artistic Crossroads
--OBJECT IN FOCUS: A Bride'due south Wealth and a Community's Wealth
The Far West: Arts of California and the Great Bowl
--Chumash baskets and the California Mission Organisation
--The ''Basketry Craze'' and the Arts and crafts Movement
--Lower Klamath River baskets
--Pomo baskets: "Wrought with Feathers"
--Washoe Baskets and the Power of Marketing
5. The N
The North as a Region
Arts of the Boreal Forests
--The Beothuk: "Perhaps They Were Non All Erased"
--Wear Arts to Please the Animals
--Painted Coats of the Innu: Pleasing the Spirits of Caribou
--The James Bay Cree: From Painted Geometries to Beaded Flowers
--Dene Wearable for Protection and Beauty
The Chill
--Ancient Artists of the Chill
Historic and Contemporary Arts of the Arctic
--Chill Compages: Igloo, Tent, and House
--Garments for Warmth and Dazzler
--TECHNIQUE IN FOCUS: Working with Gutskin
--Artist IN FOCUS: Nivisanaaq and Her Beaded Parka
--Arts of Festival, Performance, and Success in the Hunt
--OBJECT IN FOCUS: The Ttravels of a Raven Mask
--Arts for New Markets: Baskets, Carvings, Dolls, and Textiles
--Graphic Arts: Chronicling Life and Recalling the Past
Toward the Twenty-First Century in the Northward
vi. The Northwest Declension
The Northwest Coast equally a Region
The Evolution of Styles: Local Variations and Regional Continuities Beyond Time
--The Origins of Northwest Declension Artistic Styles: The Archaeological Tape
--The Early Contact Period
--The Formline Style
--Western Connoisseurship and Northwest Coast Art
--TECHNIQUE IN FOCUS: Finger-weaving a Chilkat Blanket
--OBJECT IN FOCUS: A Tsimshian Mask and Questions of Patrimony
Contexts for Fine art: Power, Status, and Cantankerous-Cultural Commutation
--Shamanism
--Crest Art
--The Potlatch
--Art, Commodity, and Oral Tradition
-- ARTISTS IN FOCUS: Charles and Isabella Edenshaw
Northwest Coast Art Since the Start of the Twentieth Century
seven. Native Fine art 1900-1980: Moderns and Modernists
The Multiplicity of Modernisms
--Problems of Definition: Indigenous, Modern, Modernist
--Primitivism, the "Fourth dimension-Lag," and Multiple Modernisms
--The "Contemporary Traditional" in Twentieth-Century Art
--Moments of Beginning
--Schooling the Modern Native Northward American Artist
--The Southern Plains and the Kiowa 5
--Pueblo Painting and the Ascent of the "Studio Style"
--The Display and Marketing of American Indian Art: Exhibitions, Mural Projects, and Competitions
--OBJECT IN FOCUS: "Book Comprehend of "Introduction to American Indian Fine art" (1931)
Moderns and Modernists at the Mid-Century
--Pioneering Modernists: Howe, Herrera, Houser
--The Institute of American Indian Arts
--Twentieth-Century Native Art in Alaska
--Institutional Frameworks and Modernisms in Canada
--Inventing 'Inuit Art'
--TECHNIQUE IN FOCUS: Inuit Stonecut Prints
--Tradition in Modernity on the Northwest Coast
--Anishinaabe Modern and Plains Abstraction: Morrisseau and Janvier
Artists and Activists in Canada: The 1970s and 1980s
--The Indians of Canada Pavilion at Expo 67
--Professionalization and Experimentation: Decolonizing Modernism
--Creative person IN FOCUS: Fritz Scholder
eight. Native Cosmopolitanisms: 1980 and Beyond
The 1980s and the Ascension of a Contemporary Native Art Move
--The Artist every bit Trickster
--Institutional Contexts
Gimmicky Art: Media, Expressive Modes, Artistic Choices
--Painting and Graphic Arts
--Creative person IN FOCUS: Jaune Quick-to-See Smith--Artist and Advocate
Photography
Craft in Fine art: Fiber, Metal, Clay, and Across
CONCEPT IN FOCUS: What is "Arts and crafts"?
Sculpture and Mixed Media
Installation
OBJECT IN FOCUS: Edgar Heap of Birds' Cycle
Performance
Pic, Video, and New Media
Preeminent Issues in Native Fine art Since 1980
--Postcolonial Perspectives on Sovereignty, Home, and Homelands
--Ecology and the Land
--The Native Trunk
--Globalism and the Transnational
Determination: "Celebrate 40,000 Years of American Art" - Simply Be Vigilant
Notes
Bibliographic Essay
Index

Native North American Fine art

Second Edition

Janet Catherine Berlo and Ruth B. Phillips

Writer Information

Janet Catherine Berlo is Professor of Visual and Cultural Studies at the Academy of Rochester. She has taught Native American art history as a visiting professor at Harvard, Yale, and UCLA, and has received grants from the Guggenheim Foundation, the Getty Foundation, and the National Endowment for the Humanities.

Ruth B. Phillips is Canada Research Chair and Professor of Art History at Carleton University in Ottawa. She has served every bit director of the University of British Columbia Museum of Anthropology and as president of Comité International d'Histoire de l'Art (CIHA), UNESCO'southward world art history arrangement. She has been a visiting professor at Cambridge and Harvard Universities and is a young man of the Royal Society of Canada.

Native N American Art

2nd Edition

Janet Catherine Berlo and Ruth B. Phillips

Reviews and Awards

"The Second Edition of Native Due north American Art updates a approved text in the field of Native American Art History with cardinal theoretical, methodological and artist additions. Initially instrumental in shaping the field of Native American Fine art History, this edition continues to influence critical interactions with critiques on modernism, materiality and indigenous authorship. Unique to this undergraduate text is the integration of the legacy of colonialism as a foundational structure in the analysis of Native American Art History. Teasing out the tensions between the histories of Native American Art, current theoretical approaches, and fine art dealing with critical indigenous issues, this text expertly charts a class through thousands of years of 'American' art."--Jolene Rickard, Cornell University

"The quality of the scholarship and the accessibility of the writing--for general undergraduates, likewise as those who have some groundwork in art history or Native American studies--make this text very useful for my education."--Bill Anthes, Pitzer Higher

"Native Northward American Art is absolutely the all-time text in the field. Extraordinary in both range and depth, the text's principal strengths are its comprehensive coverage, its inclusion of contemporary works, and its highly accessible and engaging writing style."--Jennifer McLerran, Northern Arizona University

"This text is compact and concise, cheap for students, and written at a level appropriate for an introductory text."--Peri Klemm, California Country University, Northridge

"Native Due north American Fine art does an excellent job of explaining the rationale behind the production of Native American art. The photos, maps, and boxed topics are great for clarifying specific themes, ideas, and processes."--Andrea Donovan, Minot State Academy

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